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Mandy walker am, acs, asc (born 1963) [1] is an australian cinematographer The film (2004) and hidden figures (2016). She is best known for the films hidden figures, mulan and elvis, the latter of which earned her an academy award nomination for best cinematography
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[2][3] she was appointed a member of the order of australia in the 2021 queen's birthday honours. Mandy is a cinematographer and producer, known for elvis (2022), chanel n°5 Filming in atlanta, georgia at morehouse college, dressed by production designer wynn thomas to resemble nasa headquarters, walker established two distinct visual environments for the hidden figures to inhabit.
Low angles may uplift characters, portraying their strength, while high angles can depict vulnerability
These angles guide audience empathy and engagement throughout the narrative. I spoke briefly with mandy walker, the cinematographer on hidden figures, to get her insight for another installment of our through the lens series We never shot anything at nasa Nasa for us was seven different locations and we had to make it look like were in the same area.
Hidden figures utilizes a juxtaposition not often seen in films that take place during this time period Overlaying the american space race with the civil rights movement helped shine a focus on the unheard stories of the african american women who worked for nasa. Despite its superficial flaws, hidden figures is sharply poignant and thoroughly moving It celebrates the rewards of merit and ambition, and highlights real heroes in a influential time period
This period is fleshed out and lively, and most of the performances are consistently compelling.
Mandy walker was born in bundoora, victoria, australia